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How do you translate the energy and feeling of a live show — the crowd singing along, watching the lines around a concert venue with excitement — into a virtual production with an audience stuck at home? How does new music, intended to shake a room, get converted into a virtual experience? For Brockhampton, achieving that feat means utilizing the tools in their playbook that make for a great live show, and adapting them.

Joe Villasana’s $641 vanished into the ether of the live entertainment industry.
He splurged for a ticket to see Rage Against the Machine at the 12,000-seat Don Haskins Center in El Paso, Texas, but the band’s reunion tour has since been postponed due to the COVID-19 pandemic. Villasana pleaded for a refund from two Ticketmaster representatives, but they thwarted his efforts. Instead, the pair ingrained in him their company’s new policy: “Ticketmaster cannot issue a refund until the concert is canceled.”