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After a long year, New York City reopened for good on June 15 with the statewide lifting of all COVID-19 precautions. New York is embracing crowds once again; however, the remnants of COVID-19 remain through occasionally masked faces.

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How do you translate the energy and feeling of a live show — the crowd singing along, watching the lines around a concert venue with excitement — into a virtual production with an audience stuck at home? How does new music, intended to shake a room, get converted into a virtual experience? For Brockhampton, achieving that feat means utilizing the tools in their playbook that make for a great live show, and adapting them.

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One year, nine months and twelve days. By the end of our relationship, I could tell I wasn’t what was best for her. I would ask myself, “what went wrong?” I knew I didn’t deserve her. She would always prove her love and loyalty to me, but I still couldn’t trust her.

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After my dad left, my mom couldn’t listen to love songs, especially sad ones. One that always got to her was “Silver Springs” by Fleetwood Mac, and for the longest time I couldn’t understand why. But I think I get it now.

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The new version of Fearless is here to please not only the fanbase, but everyone else. Its 26 songs allow for a kind of musical time travel and make it possible for people to live this era once more, or for the very first time. Even at 31, Swift was able to channel her 18-year-old self, recreating an album to dance and cry to with the same intensity.

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