On September 1, like a scene from a dystopian novel, Texas officially banned abortions post-six weeks throughout the state. Senate Bill (SB) 8, also commonly known as the Texas Heartbeat Act, is one of the most restrictive abortion bans in the country. Not only is it a violation of the rights of all people with uteruses around the country, but it is also a breach of Roe v. Wade.
Recently, I rewatched South Park: Bigger, Longer and Uncut — multiple times, to be exact — and realized what a satirical masterpiece it is. The movie is as old as me, but the core message underneath the various shits, assholes and uncle fuckers is one that still speaks to modern society: America places the blame for its problems on everyone but itself.
Truly sexy music seems like a thing of the archetypal 1980s. The luxe, nostalgia-addled hallucination of plastic-laminate luxury and brick glass, combined with cocaine and digital synthesis seems like a paradigmatic backdrop for hypersexually smooth music.
Måneskin is what I consider to be part of the slowly simmering revival of rock music that’s been occurring in recent years. Their music is filled with brash guitar solos and lyrics of love and rebellion that recall earlier eras of rock.
t was a Wednesday afternoon in September. I sat in my anthropology class fidgeting in my chair and incessantly checking the time on my phone. I’d soon be slipping out the lecture hall to catch a train from Long Island to Manhattan. I thought back to the feeling of excitement that washed over me as I ordered the tickets for Black Pumas back in June. My anticipation for this show was unmatched, as it had already once been postponed, due to — you guessed it — COVID-19.
When Adele posted the teaser for “Easy On Me,” the lead single from her new album 30, we all knew it was time to put our favorite artists out of her shining path. Because this is what Adele’s success looks like: a tsunami that breaks all possible records no matter what (or who) is in the way. No fanbase wants to compete with her.