For Laszlo Toth, an accomplished yet tortured architect with a grand vision for how he can shape the world around him, the end result is the only thing that matters. “The Brutalist” director Brady Corbet offers audiences a film equally unapologetic in its conception.
The Provost told faculty organizers they had to reschedule a planned screening of the Palestinian documentary “No Other Land” in Wang Theatre because it fell on the same day as Yom HaShoah, they said.
If you asked someone raised in the Catholic Church about their feelings toward the religion, you would probably hear a lot of resentment. The only response I can give that question is, “It’s complicated.”
Welcome to Straight Talk, Queer Thoughts, The Press’ new podcast exploring gender and sexuality. In our first episode, hosts Vik Pepaj and Christiana Hadjipavlis discuss TERFs — or trans-exclusionary radical feminists.
LP1 does it all right. It’s the shoulder you cry on, but the one that hits your back a little too hard when you’re having a coughing fit. To truly understand what makes LP1 stand out, though, you have to understand emo music.
In October, curiosity led SBU alum David Arkay into Washington Square Park, where he was met with a crowd of about 2,000 eager fangirls and fanboys, dozens of Chalamet doppelgangers and one golden opportunity. Today, he’s still chasing his curiosity — and encourages the rest of us to do so too.
“Go to shows, just go to shows.” Steven Guerrera, drummer and producer of Out To Lunch, a local rock band, urged. “It’s crazy how much you learn about the community. When we first started, I thought, ‘There’s no scene on Long Island,’ but then you realize there are 20 bands just in your radius.”
The long-awaited Oasis reunion — and their puzzling new success in the U.S. — also hints at a broader cultural revival given the resurgence of ‘90s Britpop fashion. Think bucket hats, parkas, head to toe Adidas and cigarettes as accessories. Today, some know the casual, post-grunge style as blokecore.
Anora has elements of a film that could have made a powerful and intriguing statement. But what starts as an exploration of the class power dynamics wrapped up in a stripper’s life quickly devolves into an excessively slapstick movie, detracting from the meat of the story.