Radio pop’s downward spiral began with an attitude towards the general mainstream that festered on social media and grew over time. Being “basic” — enjoying cultural trends like pop music — was frowned upon.
From the album announcement to the listening experience, the journey of Midnights was one of pure enjoyment — always keeping everyone on their toes for what was to come next.
Souvlaki paved the way for future generations of music by creating new styles of sound that completely coat your ears, soothe your hunger and leave you satisfied.
In the dying galaxy of pop music, Maggie Rogers is a radiant star, and it will be a privilege to see what she evolves into next.
Today, before the Christmas section of Target swallows the Halloween section overnight, we thought it was about time to look back on another summer long gone. In line with our annual tradition, here are The Press’ staff picks for this year’s Songs of the Summer.
Although the album was re-recorded last year, 2022 is also special for Red stans. Today, Oct. 22 — one day after Swift released Midnights — Red turns 10 years old.
With the whole crowd belting the last verse of “Moon Song,” both the arising anticipation and the cathartic climax made me feel at home. Watching her perform it live transformed the song from a slow-paced, skippable track to a go-to nightly car ride tune — one that deserves a deep sea dive.
“Sometimes it feels like events at Stony Brook are forced, but this did not feel that way at all,” rising senior Clare Dana said. “The Bash felt like the most student-led event I’ve been to; it felt like the people who put it together really cared about it and I think that’s what made it so successful.”