With the whole crowd belting the last verse of “Moon Song,” both the arising anticipation and the cathartic climax made me feel at home. Watching her perform it live transformed the song from a slow-paced, skippable track to a go-to nightly car ride tune — one that deserves a deep sea dive.
“Sometimes it feels like events at Stony Brook are forced, but this did not feel that way at all,” rising senior Clare Dana said. “The Bash felt like the most student-led event I’ve been to; it felt like the people who put it together really cared about it and I think that’s what made it so successful.”
Perhaps one of Stony Brook’s most highly anticipated events of the spring semester, Brookfest finally made its return. Rapper Young M.A and R&B artist Capella Grey performed to a sold-out crowd before headliner Gunna took the stage for the first Brookfest in two years.
Time seemed to slow in that church. The music filled every crevice in my brain, bouncing off the ceiling into my ears. I tapped my foot and bobbed my head, entranced by the emotion emitted from every movement, word and facial expression.
Even considering its cohesion and commercial success, this album’s biggest accomplishment is that it serves as a global showcase of Anitta’s resilience and visionary attitude — resembling her own breakthrough in Brazil ten years ago.
On March 17, Underoath played a sold-out show at Brooklyn Steel in Williamsburg along with bands Stray from the Path, Bad Omens and Spiritbox. It was a great experience for my first metal show with an energetic crowd, tons of moshing and enough cathartic energy to help me finish this semester.
Laurel Hell focuses its gaze on indie music celebrity and constant public scrutiny, as well as loneliness, grief, anticapitalism and self-reflection. From unrequited love to fierce anger to all-consuming loneliness, the songs on this album tackle the full range of human feelings — even allegedly shameful ones.
I became mesmerized by the album cover — a masterpiece right out of Microsoft Paint. The art style made me feel like Sidney Gish got me without even having listened to any other song. From that point on, No Dogs Allowed was in my ears at all times.