Trick-or-treaters will march through the fallen leaves today, and summer feels like it was ages ago. As we deepen into the heart of fall, we thought it was a good time to revisit those sunny days. Continuing our annual tradition, here are The Press’ staff favorites for this year’s Songs of the Summer.
Al Menne’s songwriting process involves a lot of time journaling, but he admits that even what seems to be true might not be completely accurate. “I think that even just the way that people remember their own memories is kind of an embellishment in a way,” Menne said.
Ocean Blvd serves as a crash course on the singer, containing modules on her iconography, family history and psyche.
Paramore has trekked through an array of sounds with every new release — This Is Why is no different. Since the band formed in 2004, they have curated a discography that guarantees a memorable song for every type of listener, whether they prefer heavy pop-punk anthems or melodic new wave bops.
Though Titanic Rising and And In The Darkness, Hearts Aglow both have the signature Weyes Blood nostalgic sound, the latter seems to lean more into haunting melodies, frequently leaving me in awe. Mering’s vocals are hypnotic, and they often sound ethereal.
Community among queer folks is incredibly important, especially for young people who may not have grown up seeing positive representations of happy queer people.
Between their chilling vocal harmonies and impressive musicianship, Seeing Double rivals bands that have been in the industry for years.
Coated in Southern gothic aesthetics and spiritual motifs, singer-songwriter Hayden Silas Andhedönia, better known as the notorious Ethel Cain, journeys through the daunting life of the troubled teenager in her debut album Preacher’s Daughter.