This year, as part of an annual tradition, we’re sharing our favorite songs of the summer. We’re a little late this time, but considering the concept of time has lost all meaning in 2020, we’re going ahead with it anyway. In a remarkably bad time, these songs brought us solace and comfort, and we hope they’ll do the same for you.
I was in middle school the first time I heard LCD Soundsystem. They were on the Step Brothers soundtrack, and “North American Scum” blared during the opening credits in the iconic scene where Will Ferrel’s and John C. Reilly’s characters meet. I was drawn to the synths and cheeky lyrics of James Murphy pretty much immediately.
Each year, all of us at the Press look back on the long summer break and try out best to pick out the music that defined the season for us. Here are our songs for the summer.
Black, Latino and LGBT communities have used music and dance as a coping and articulation mechanism for the painful condition of disenfranchisement. For black victims of Apartheid South Africa, it was the Afro-synth bubblegum disco that ignited activism.
Joe Keery, better known as Steve “The Hair” Harrington, released his debut solo album on September 13, under the moniker “Djo.”
The pop-punk scene of the late 2000s to early 2010s was a time that almost anyone in college now can remember with general disgust and an occasional fit of nostalgia. This general feeling is one that, for the past three years now, I’ve felt and understood on a personal level, having been a part of that scene quite heavily in my “youth.”
On Thursday, April 11, Stony Brook University hosted its annual Brookfest concert, which included performances from rappers Lil Skies, Aminè and A$AP Ferg. This year’s Brookfest was able to make up for the canceled Ashanti show because the Undergraduate Student Government brought big-name performers that drew crowds.
What if there was an entire dictionary for the words that people use (or make up) to describe how a particular piece of music sounds. “Angular” is my go-to (I wince a little bit every time I use it). Stringing…
It’s that time of year again. The season for reissued, overpriced color discs, and faux-rare 7” singles. Record Store Day has come and gone every year since _____. A day where thousands (probably hundreds, let’s be honest) flock to the…