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How do you translate the energy and feeling of a live show — the crowd singing along, watching the lines around a concert venue with excitement — into a virtual production with an audience stuck at home? How does new music, intended to shake a room, get converted into a virtual experience? For Brockhampton, achieving that feat means utilizing the tools in their playbook that make for a great live show, and adapting them.

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The new version of Fearless is here to please not only the fanbase, but everyone else. Its 26 songs allow for a kind of musical time travel and make it possible for people to live this era once more, or for the very first time. Even at 31, Swift was able to channel her 18-year-old self, recreating an album to dance and cry to with the same intensity.

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We all carry stuff with us wherever we go. Sometimes it’s whatever mood we’re in, sometimes it’s a song we just can’t get out of our heads and sometimes we’re literally carrying something. Lately, especially after everything that happened last year, I find myself carrying around two words in particular: “the past.”

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Lisa herself is an enigma. She is a spunky, smart, brash young girl who knows what she wants, and will not stop until she gets it. For the most part, television hadn’t seen a female character like that until Lisa Simpson made her debut. As a wide-eyed child, hell even now as an adult, Lisa Simpson is everything I want to be and more. She’s an eight-year-old swinging around a saxophone as big as she is, she’s running for class president — she’s the animated role model girls like me have looked up to for decades.

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